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Mutek 2013 NOCTURNE 4 John Talbot-8501

This. was. the. best. year. EVER. The 14th installment of MUTEK was pure inspiration. Everything from the curation, art installations and projections, venue visuals, education, sound, free events, the organisation, the crowd, the weather, and the vibezzz were awesome. All the other years I never got to experience as much as I did this year (financial reasons) and having built a community of friends (some outta town friends came!) who are in the scene over the last few years definitely were factors in this year being my personal favorite.

Every time I saw a show and didn’t think it could be topped, MUTEK surprises me and proves me wrong. Day after day, night after night, there were sooo many incredible performances where the energy kept rising and didn’t slow down. Artists/performances I didn’t know anything about blew me out of the water. You just couldn’t go wrong picking which event to go to. The hardest thing about MUTEK this year was trying to alleviate FOMO (fear of missing out). So much talent in so many different genres some at the same time. A good sign.

Mutek 2013 A-VISION 2 Herman Kolgen-7759

Live performances dominated over DJ acts. Visuals were thoughtful, geometric, textured, and a show in itself. Shows outside of A/Visions and Nocturne showcases were free to the public. This included great day time parties in Lounge Windows showcasing local talent with music ranging from experimental, techno, house, to minimal. Workshops/panels/interviews all throughout the day catering to those who are more curious about behind the scenes, production, visualizations etc. MUTEK is truly one of the best electronic creative culture and digital arts festivals in the world. MUTEK contradicts the mainstream archetype of electronic culture and instead expresses the Life, creativity, complexities, and diversity that is overlooked in most festivals when it comes to electronic music. MUTEK provides this experience in a super accessible, encouraging, and healthy way. As RA says, “MUTEK is a place where electronic music is treated like the true art form it is”.

My Top Experiences:

14e édition du Festival Mutek 2013 frahm

A/Visions 2: Having done a preview of him in my last post, I had some knowledge and had heard some of his tracks off his label Erased Tapes which impressed me greatly and I was super lookin’ forward to seeing Nils Frahm live. I had no idea that for the next 90 minutes my mind would be blow and that I would cry from being utterly inspired by how much talent one single person can have. It was a reaffirmation that creative instrumental heart opening music will never die. Innovation, creation and expression from the heart, curiosity to push traditional instrumental boundaries, three pianos (grand, upright, and a Rhodes keyboard), and the most epic sound track to stark moments in Life, made the crowd fall in love with this man immediately. The compositions were sooo long and intense. I had the constant feeling of being in a soundtrack of an anti-hero…about to redeem himself or about to fall even harder, a place we’ve all experienced to some extent. As his fingers blurred playing so fast so deeply, the melancholy washed over all of us. I was filled with gratitude, happy sad and weird memories came into my vision as I felt the intention behind the silences so well timed and executed through Frahm’s tuned ear. So humble and so honest, Frahm confessed he was mad tired. That it was 2am for him currently and he just wanted to sleep…but he wanted to play for us…obviously jajja. He was disappointed at the few errors he made that were inconsequential to us as we rose to our feet and applauded with a secret hope that he’d play more and more. His endurance and drive to share his art knows no bounds as he played at Boiler Room and opened for Pantha Du Prince and the Bell Laboratory after the original artists’ cancellation. Best show I have seen all year.

14e édition du Festival Mutek 2013 one pig

A/Visions 1: Matthew Herbert and his team for the “One Pig” performance was the show that intially made me think, “omfg it’s only the first day and already something that cannot be topped!”. (That was before Nils Frahm came along). One on the keyboard. Another on percussion/drum/touchpad. Another colleague and Herbert on the hardware and midi controllers. And the pig himself (wearing a laboratory jacket too), set in the centre of what seems to be a vibrational music making boxing ring of strings. What impressed me the most about this performance was this boxing ring. Four levels of four strings coiled into a resistor that when pulled would make a distorted sound. On each level the distortion made a different sound. Each string affected the resistance (it seemed) of other strings which then would affect the sound once again. It was an musically innovative using a beautiful and bizarre way of making sound and capturing the figurative essence and story of a pig inside of a cage. From Sep-Jan the music reflected its birth, its confusion, the chaos, at times its moments of joy, and its intuitive sense of its near death. The bass was drawn so hard and I thought to myself for more than half of this concert people could be dancing in the isles it was beaty, catchy, and intense. The smell of bacon (it was being cooked in the background) filled the theatre as all the members went into the cage for a last chaotic string jam, showing just how violent and consuming the process of an animals life from farm to plate can be for oblivious or blind eye turning humans. Loved the politics. Loved the compositions. Loved the innovation. An absolutely triumphant North American premiere!

14e édition du Festival Mutek 2013 dromos

Dromos, inspired by “Dromology”–the science of speed according to Paul Virilio)–was the most visually stunning project I’ve seen at MUTEK. Having never been to Satosphere before, my utter awe surfaced with ease in this incredible spherical dome perfect for 360° projections. Lying down and next to the homies, I relaxed in anticipation. For me, having absolutely no expectation or knowledge of their set intention (according to MUTEK, the DROMOS experience explores the concept of integral inertia in a live performance that questions our relationship to progress), DROMOS was a psychedelic experience. Different textures, rhythms, speeds, and flowing dynamic symmetry gave me an experience that really challenged my perception of space, how easily and quickly it can change, how I feel within those spaces and how I feel between the spacial shifts. Live production from the creators themselves, Maotik and Fraction, along with a live violinist, aided our eyes into seeing the bigger picture a bit more clearly. What’s nice about this audiovisual experience is that it is super subjective, everyone has a different experience. I found after chatting with a bunch of peeps after, though what we perceived differed from each other, we all felt that pull of having no space no time. It was drawing us all in this constant change of spatial awareness. Truly an incredible show that made blew my eyes and my my mind. I’ve never seen anything like it before. It was 5D. Fifth dimensional. After it was over I immediately thought, whoa…this is visualization of the future. This is how we’re going to be seeing movies/videos/shows/etc in maybe ten years…maybe less? Wow!

14e édition du Festival Mutek 2013 stott

Nocturne 2: Andy Stott is the man. In my previous post, I was curious as to how his show would play out…and trusting in his Manchester bad-assery I should have had no doubts from the beginning that he was going to play a ridiculous set. Hard distortions and bass, techno lines and still some of his signature atmospheric flare…this show got everyone dancing until sweat dripped all over one another in the well packed fanless SAT. He played some more “upbeat” tracks off his LP Luxury Problems like “Hatch the Plan”. Some of my hardest dancing of the weekend was due to this man. Wahooo!

14e édition du Festival Mutek 2013 onra

Nocturne 3: ONRA. I’ve seen him once before and I was so excited to see him again. I knew he would bring his A-game for MUTEK. Ask and you shall receiiiiiive! Incredible set playing many tracks from his repetoire of LPs. No shortages of Chinoiseries tracks and no shortages of his well known productions like “Rock On”, “The Anthem”, “L.O.V.E.” and “Long Distance”. When the latter track came on, I went crazy!!! Beautiful beats sometimes almost poppy hip-hoppy tracks to keep the groove on. Most importantly, it was ALL sexy and r’n’b homie vibes. MMhmmm. The only criticism of ONRA I have though, is that he played another show for Boiler Room at the Satosphere…and his set was 90% the same set. I didn’t mind dancing to the same set again ’cause he’s just that awesome. But saying in saying that, it should have been an equally awesome set without having to recycle what he used for Nocturne 2. Ya know?

14e édition du Festival Mutek 2013 graze

GRAZE sure is something special. The world premiere of this duo (Adam Marshall and Christian Andersen) put on a ridiculous set powered by the rhythm and flow of percussion and drums. It was catchy and pulled our feet and hearts to move forward with the vibration. There were elements of drum and bass and breakbeats and garage that I really enjoyed. Atmospheric elements that brought us closer through familiarity. Wonderful set that’ll undoubtedly catapult this Canadian duo into a growing number of people looking for something fresh in the scene.

14e édition du Festival Mutek 2013 nosaj

Nocturne 4: NOSAJ THING is my hero. MUTEK put this LA-ite at the same time as John Talabot. I went to check out John Talabot at Metropolis for a bit and though the music was good and it was LIVE! (awesome), I was unimpressed at the homogenous sound between his live set and studio album. As a producer I like to see that you can mix it up, be creative, and not perform tracks exactly as we’ve heard them a million times, ye? Like James Blake. But it’s all good ’cause it gave me a quicker escape to check out one of my most anticipated shows of the festival, NOSAJ THING. He played an incredibly well rounded set with tracks sampled from his two previous albums (Drift and Home) mixed in with various tracks from well known beat makers like Flying Lotus and the Brainfeeder crew. You can tell from his body language and humble demeanor that he is just the nicest dude with a gnarly taste in music. My favorite! Jajajaja. He initially closed off his set with a LUNICE track (YEE montreal reppin’) then decided to rep his hometown of LA with an equally gully track, one of my favorites actually of last year, Kendrick Lamar’s “Bitch Don’t Kill My Vibe”. Hook, line, and sinker. Bomb show.

14e édition du Festival Mutek 2013

14e édition du Festival Mutek 2013

Nocturne 5: DICTAPHONE (top) and JUAN ATKINS & MORITZ VON OSWALD (bottom) are officially my favorite new discoveries of MUTEK. After four days, our bodies, perspectives, and minds were worn but our hearts still had that fire to keep going and experiencing the talent this wonderful festival brings. It was soooo nice to have a break from the grinding hard (Detroit) techno and experimental and louuuud big bang distorted noises. This night outside of JUJU & JORDASH was filled with the most beaaautiful melancholic and liquid minimal techno. I never thought I’d use those words together but that’s what it was. Like putting on a great liquid drum and bass mix to relax to or chill out too…this minimal techno expressed some atmospheric sunset sunrise landscape painted heart warming vibrations. What made me so incredibly happy was that it was truly heart opening music. So many people were dancing from their hearts. It didn’t have that push like techno or house does sometimes where the beat just informs you how to move where you’re just moving but not being moved, you know? Dictaphone’s talented multi instrumentalists (Oliver Doerell and Roger Doring–Sax and Keyboard?, with violinist Alex Stolze) did exactly the opposite in their North American premiere. Moving in all ways…the jazzy, ambiguous fuzziness oozed familiarity into all our heart spaces and we couldn’t help but close our eyes and dance the way we felt. Their most recent release Poems from a Rooftop has been on repeat ever since. Juan Atkins & Moritz von Oswald continued this vibe with their vast expertise in techno, minimalism, and sensibility. This was the perfect way to end MUTEK, on a suuuuper high note dancing and feeling to the more simpler things in music, life, and electronic creativity.

14e édition du Festival Mutek 2013 pantha

P.S. I’m sure if I went to the last A/VISIONS with Pantha du Prince & the Bell Laboratory I would say that this was the most epic show of all…maybe ever. I already feel that way through hearing what people have to say and knowing just how incredible the venue and compositions would have been. And also seeing a snippet through this video. But alas, trying to work through the regret of not going to this show and instead remembering how awesome this festival has been to me otherwise!

Thanks/MERCI MUTEK for another incredible year of electronic music, art, creativity, and vision. I cannot wait for the 15th installment! Please check out my previous posts for more music from MUTEK artists!

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>>>>>>>UPDATED! Click here to skip to the review of the live show!<<<<<<<

I just got back to Montréal just two months ago after having been away for over a year. Travelling. Journey. Discovering. Learning. I realised recently that I’ve been really out of touch with the indie scene while I was away. One of the artists that I still kept in touch with while I was travelling though, was M83. I got their most recent and long awaited two disc release, Hurry Up, We’re Dreaming (Naive Records, Mute Records) in October of this year. With this recent LP, Frenchman Anthony Gonzalez once again shows us that he’s more than capable making music that go beyond just Listening. His talent of painting musical landscapes that we can touch, see, and feel with his sound is something special that has kept me drawn and interested in his music since his first self titled release in 2001—then with Nicolas Fromageau, who is now in Team Ghost. So when I found out that M83—with openers Active Child—was playing a show here for the last day of the festival M pour Montréal, I knew I had to go.

M83 is a group named after the spiral galaxy Messier 83, formed originally in 2001 by two guys from France, Anthony Gonzalez and Nicolas Fromageau. The latter member left shortly after 2005 with releases of M83 (2001) and Dead Cities, Read Seas & Lost Ghosts (2003) together. Since then, Gonzalez has released equally if not more emotionally charged LPs: Before the Dawn Heals Us (2005), Digital Shades Vol. 1 (2007), Saturdays = Youth (2008), and Hurry Up, We’re Dreaming (2011).

All of M83’s albums have been consistent in the artistic language that Gonzalez has done so well in presenting to us. They get compared to a lot to bands that have blown up in the past couple of years like Neon Indian, Washed Out, and Memory Tapes who do have qualities that M83 possesses but the comparison is not so justified in my opinion. M83 goes outside the box of having a particular monolithic sound by encompassing and combining chillwave ambience, psychedelic surf pop, shoegaze, minimal electronic, dreamwave, instrumental rock and experential intention with his sound. This intersectionality varies whether all these elements are in just one song or not. It’s clear when you listen to his music. It’s clear when you listen to an album begining to end. He makes albums that flow well, sound good, and has tracks that make you dance (you know, generally what makes an album good, eh). But, it’s  more than that. He’s making you a Soundtrack for Life.

Your first cigarette. Your first lover. Your loneliness. Losing a loved one. Heartache. Breaking the rules. The glare of the sun in your eyes. Getting older. The Kiss that never ended. The sand in between your toes. Letting go. Joy. Lessons learned. Thunderstorms. Being Alive. You find yourself in emotional whirlwinds all of a sudden. You stop everything you do and you listen, smell, see, and touch the music. You come out realising all that you’ve been through ’cause the music has brought you this history. Emotionally charged in the sound, the distant cries of his muffled singing, the Naming of the tracks, and the intention behind the pauses, the music has the power to push you into different realities, bad and good. In the end, there is this clear underlying optimism in his music despite all the sad parts. The Positive in the Negative. Each album contains this inevitable evolution. This varied catharticism is what makes M83 so special.

Some tracks that M83 are most known for are their more upbeat danceable tracks like “Kim & Jessie“, “Graveyard Girl“, “Midnight City“, “Don’t Save Us From the Flames“, “Teen Angst“, “Run Into Flowers“, and “Couleurs“. While these are fantastic tracks and I have so many favorites on top of these, I want to share some tracks that have become soundtracks for certain moments of my life.

It will be interesting to see how M83 is live tonight. I no doubt believe that Gonzalez will take us on a journey. For those of you lucky enough to get tickets to the now sold out show, see you there and bon show! Don’t forget to come back for a review of the live show! Thanks to M pour Montréal for having me cover this and especially to Catherine who made this possible.

You can buy M83’s music here!

MP3: M83 – Dancing Mountains

MP3: M83 – Coloring The Void

MP3: M83 – Safe

MP3: M83 – Let men burn stars

MP3: M83 – Klaus I Love You

MP3: M83 – Another Wave from You


Live in Show: M83 & Active Child


It was a beautiful night in Montréal last night in the Latin Quarter, barrio host of M for Montréal and the globally recognized and acclaimed Mutek Festival. Le Monument National was lit up wonderful purple hues, Club Soda got blared its’ lightsin preparation for the M83 after party, and as always, le S.A.T.’s sound system was heard going beyond the walls to the dark rimmed glasses, fancy winter boots, thrifty tops and waves of plaid wearing people smoking outside.

Active Child is a project that recently came into fruition by Pat Grossi, native of New Jersey who now lives in Los Angeles. Accompanied by two more band mates that look surprisingly similar to Grossi himself (or maybe it was just the lights, jaja), Active Child busted out music that reminded me of the 80’s electronic pop sound of Depeche Mode & New Order, the soundtrack nature of M83,  the ambiance of Ocuban, the new school style of R’n’B now popularized by Drake and The Weeknd, and Grossi’s voice! (So, all good things. Jejeje). Oh! His voice sounded like the Presets lead vocalist, Julian Hamilton. Oddly enough he doesn’t sound like this in his debut studio LP, You Are All I See (Vagrant Records, 2011). Either way, studio or live, his voice is wonderful, unique, interesting, and cosmic (he used to sing in a choir)! Pat Grossi has an incredible voice that has a transformative range of style which, along with the fact that he plays a mean harp and experiments with synthesizers, enables him to paint soundscapes just as M83 does while keepin’ it slightly sensual with some R’n’B flare.

I had no idea who Active Child was, no idea what kind of music but figured it was worth seeing if they were opening for M83. It was definitely a decision I don’t regret. They impressed the hell out of everyone in that crowd and no doubt prepared us for the journey we were about to take with M83 but dosing us with a cheeky adventure of their own. Fantastic performance!

MP3: Active Child – Playing House

MP3: Active Child – Hanging On

Buy their music here!


Now onto M83. Hoorah! The long wait was over! The lights dimmed and epic synths started our journey into space. The background was lit with tiny lights reppin’ stars that changed colors throughout the show with six or so brightly lit up columns lining the back. The whole set up reminded me of some space portal platform. Beyond the columns, the stars, space, infinity, and the unknown. Ooooooo. The four stood in between us the galaxy. They were going to take us on a cosmic voyage. They were our passageway and as curious, adoring, fundamentally imaginative creatures, and lovers of the dream state M83 is so good at inducing, we acquiesced.

“Intro”, the first track off of their latest album started slowly through the speakers. The synths were prolonged and etched carefully deeper and deeper as the lights began getting more intense. All of a sudden there was this creature. Looked like a human but had a possum rat head! Possum rat hands and eyes and ears! It was alien to us but that was what we signed up for. The adventure begins.

The band came on with full applause. Founder of the group Anthony Gonzalez (center), and his three touring bandmates, INCREDIBLE vocalist/keyboardist Morgan Kibby—who helped in production of Saturdays = Youth and Hurry Up, We’re Dreaming (right), drummer Loïc Maurin (back),  the possibly new bandmate that M83 was searching for a few months back (left), hopped on stage to full and ear deafening applause. You knew with this kind of opening that the rest of the night was going to make history in our memories. What an intro song! What a start!  With Gonzalez strutting his dance moves with his back against us arms behind his head, and hoards of people singing along and crying out “Carry on! Carry on!”, it was clear that from the crowd to the band, everyone was In It Together From the Beginning.

M83 never dropped a beat throughout the entire set. The energy was kept high like a good DJ at a club and they were simply unrelenting in their efforts to make us sweat. At one point Gonzalez paused and made a little joke about how was going to err speak English and then laughed and spoke French well ’cause, you know, we all knew he was from France. Jajaja silly man. So, this was the one time that there was a “significant” gap in the tracks. It was a good gap. The crowd loved him more because of his charming humor.

After “Intro”, they went into “Teen Angst” which got the crowd even rowdier with a very nice change up in the climax of the song with some techy beats that reminded me of their musical history in Dead Cities, Red Seas & Lost Ghosts. They didn’t play any songs off of M83 or Dead Cities but they paid tribute to them with these kinds of change ups in their more recent songs that they did perform which I really liked. It kept the momentum of the energy high and kept the integrity of their musical evolution.

They go straight into one of their most popular tracks that put Saturdays = Youth solidly on the map, “Kim and Jessie”. Can I just say, THEY KILLED THIS TRACK. It was ridculous how good it was live. Kibby was rockin’ out hardcore Led Zep styles. I was amused and was pulled in by the new bandmate who reminds me a lot of the bandmate that every band has to have or has had at some stage. Curly hair, surfer cali look, not too much emotion on his face like what he’s doing is super serious and there’s no fun in seriosity. But you know he feels the music and the emotion super intensely and he’s about to explode with it ’cause he gets those wide eyes at climatic moments and his body goes into crazy dance offs and guitar offs. You know what I mean? Meanwhile, Anthony had this epic happiness to him on stage.

They always changed up the build up, build down, and climaxes of songs to include that minimal techy Kraftwerk-y Space-y PEWPEWPEWPEW Space gun Tron-like musicality to remind us that we were on an alien space voyage with them. At some points I literally felt like I was at a Rave in Space. Lasers! Stars! Alients! Epileptic strobe lights everywhere! It was so surreal. It was so amazing.

Everyone on stage was having a blast. Dance offs, guitar offs, tamborine offs. Laughs and petite and brief exchanges were made between the bandmates. There wasn’t much conversation with us verbally, but we were very much connected to them the whole time and the room was palpable to this. Their harmonies on every single track was INCREDIBLE. On point. To a tee. I think that’s why everyone walked out of this show unquestionably happy and impressed. The energy from the crowd, the band, to the music was just so explicitly intense. Smiles were on everyone’s faces.

M83 ended the set with “A Guitar and a Heart”, a song true to the instrumental rock influence within their music. After the whole hearted ovation, the band came on and started with “Skin of the Night”. It was epic. And then, the moment came when they played one of my favorite songs and DESTROYED any and all good encores that we’ve seen in the past on our memory’s map.

“Couleurs” came on with a fierceness. The nine minute build up was tantric. They built and built and built and kept us on the edge for the longest possible moment. Everyone is going nuts on stage. Kibby is wilin’ out on the tamborine. The guitarist abandons his keyboard station goes onto the other side and starts banging on an electronic drum kit. The drummer is KILLING it (he reminds me Phil Selway, the mad talented drummer of Radiohead). Gonzalez is on the floor! He runs around! Then all of a sudden the intensity calms down while we’re on the brink of tipping. Gonzalez screams “MONTRÉAL”! We scream back. He screams again, “MONTRÉAL”! WE SCREAM BACK. “Couleurs” comes back in full force after this pause and puts an end to this aural tantric tease. The pace was ridiculously quick and hardcore in the end and pushed the limits like all good encores do. Head banging. Spaces were getting distorted. People crying. Fist pumping. Jaws open. So much love. I’m sure the humidity in the room went up 20% from all our sweat and tears.

This is one of the best shows I’ve seen in a long long time. Definitely one of the best encores I’ve ever seen as well. It would be so hard to top. Their studio albums don’t even compare with their live show…which is awesome and telling of what a great band they are. The best songs of the night for me were “Kim & Jessie” and obviously, “Couleurs“.

I’ve already shared some of their tunes in this post. Click here to be redirected!

Setlist: M83 @ Le S.A.T. (Montréal; 19 11 11)

01 Intro*
02 Teen Angst%
03 Kim & Jessie^
04 Reunion*
05 Year One, One UFO*
06 We Own the Sky
07 Steve McQueen*
08 Wait*
09 This Bright Flash*
10 Claudia Lewis*
11 Midnight City*
12 A Guitar and A Heart%

Encore

13 Skin of the Night^
14 Couleurs^

* Hurry Up, We’re Dreaming
^ Saturdays = Youth
% Before the Dawn Heals Us

It sucks they didn’t play anything off Digital Shades which is one of my fave M83 LPs but the selection was great regardless. I think they might have played “Gone” off of Dead Seas leading up to “A Guitar and A Heart” as well, but I’m not completely sure.

Hope you guys enjoyed the show!

Thanks again to M for Montreal and Catherine. 🙂

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so, lots of things have happened since my last serious post. the montréal jazz fest. tons of shows in between. lots more coming up! i’ve got die antwoord (YESSSSSSSSSS!) tomors, meg montréal and osheaga are coming up, and i am once again heading off to new york for a week and along the way i will  be checking out flaming lips in central park! annnnnd the hard tour in nyc which features m.i.a. and a bunch of crazy fun other artists! i will mos defs be covering meg montréal but i dunno about the rest.

oh fiiiiiiiiiiiiiinally! this mixtape has been soooo long due. like for real. the original playlist for this was made probably two months ago but obviously since then i’ve been hearing a lot of new artists so the playlist is now what it is. i had to put this out before it got too crazy. there are 40 tracks so unfortunately, like last time, i had to convert all the songs to a lower bit rate just to save space and upload it to mediafire…the mp3’s that i offer are of their original quality (very good) but within the mixtape it is all converted.

this mixtape is amazing. not gonna lie. unforts i couldn’t fit ALL the new stuff like lcd soundsystem, ratatat, etc etc but managed to put some amazing tracks from new albums released by m.i.a., crystal castles…and more. there is everything in here from minimal, techno, hip-hop, rap, house, haaaaaaaaaaauss, d’n’b, experimental to psychedelic, soft-pop, israeli goodness, and xyz genre jajaja.

it’s come to my realisation that for those of you who use itunes, the playlist doesn’t quite work and you’d have to renumber them manually just so the tracks play in their proper order…maybe some of you do this, maybe some of you don’t (because you use players like mediamonkey (woohoo!) or songbird (woohoo!))…but i DO encourage you guys to listen to my mixtapes IN ORDER. most of my time spent making them is well, doing the write up, but most importantly, is picking and choosing what goes in the mixtape and how to fit it in…if it isn’t played in order, well i could just pick a bunch of songs i like and zip it up and let it be that. but that’s no fun and so impersonal. i put a lot of love and effort into these mixtapes so i hope that you guys get to hear it the way it’s supposed to be heard! soooo…enough rambling, let’s dance! playlist after the jump!

p.s. happy belated to a special mr. taha!

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Download: ATM’s Mixtape – Summer and Sangria
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Took a break on Thursday and came back for the Nocturne series, boasting the Canadian Premiere of many artists such as Actress, Jacek Sienkiewicz, Demdike Stare as well as the Bug’s Kevin Martin a.k.a. King Midas Sound, Ikonika and many others. Tonight was going to be a night of techno and dubstep. Two genres that are normally never put together but this is Mutek! Variety is key. The night was going to be filled with dancing, staring, and holding our hearts because the bass might just rip it out…I was very, very excited.

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***Finally I am posting these decade end lists. Gaaah I love and hate lists. They enlighten me towards new music yet at the same time they’re ridiculously subjective. From one point to the next an album can be the best and not depending on the season, the weather, my emotions, whether I’m under the influence, yada yada yada. Because of all this, the numbers on my list aren’t a ranking system of worst to best—because I think they’re all equally fantastic—they’re simply a form of organization. But, a few times on the lists I will put a clear marker on the artist/album that I feel truly outranks the rest. It’s only here where I exercise a bit of hypocrisy.

I know I’ve left hundreds and hundreds of artists out. Making a “Top 10” list per sub-genre for the decade is trifling, I know. It really should be “Top 100” per sub genre. Every day I keep remembering ones I should add but I have too much music and too little time. I did my best with what I had and what I remember and the time I had! You’ll notice that a lot of the artists are from the last 5 years and that’s because my mecca of music is back home. Home home. Like where I was born jaja. So…sorry for the lack of early 2000 albums. =)

I also dislike one shot lists! You simply can’t compare down-tempo artists to dubstep artists, etc. So, I tried to organize artists into the genres I felt fit them best as opposed to putting them all in the same pool. But obviously some artists mix into the other genres or were put there even though they have a very specific genre of their own (avant-garde, balearic, etc etc). Gaaah and genre is so subjective as well. Bear with me and keep all this in mind! A lot of these artists are featured in my NYE and NYD mixtapes or have been blogged about! So check the mixtapes out or do a quick search on ATM if you feel like more sampling.

Other than that, happy reading and stay tuned for Part II and Part III!

Ambient, Chillout, Lounge, Down-tempo, Lo-Fi

10. Flica – Nocturnal (2008)
09. Mùm – Yesterday Was Dramatic Today (2000)
08. Emancipator – Soon It Will Be Cold Enough (2006)

07. Seba – Return to Forever (2008)
06.
Röyksopp – Melody A.M. (2001)
05. Ocuban – Behave Decently (2009)
04. M83 – Before the Dawn Heals Us (2005)
03.
Telefon Tel Aviv – Immolate Yourself (2009) ♥
02. Air – Walkie Talkie (2004) ♥♥

01. Télépopmusik – Angel Milk (2005)

Mentionables of 2009:

Eluvium – Life Through Bombardment
Hauschka – Snowflakes and Car Wrecks
Napoli is Not Nepal – Napoli is Not Nepal
Nosaj Thing – Drift
Nordlight – A Deep Dive
Printempo – Printempo
Tosca – No Hassle

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atm-fever ray stage

Having only listened to Fever Ray a few times and thinking it was pretty sub par at first, I was feeling a bit…eh, about going to Fever Ray last night. Even I knew that this was a show not to be missed, that the  mystical and ethereal creature that is Karin Dreijer Andersson surely could not disappoint in both a live show and a live performance. I slapped myself out of my temporary petty stupor, got myself a ticket, and found myself getting a bit giddy about going to a show that totally was going to make us trip like we was all up on that acid.

At the end, I looked at the time and saw they only played for 60 minutes. In normal circumstances, I’d be a bit angry. I mean, Telefon Tel Aviv was 60 minutes but was only 20$ and it was awesome. So, I let it slide. THIS was 30$, one hour, and I CREAMED MY PANTS. The sound in Métropolis was OK, my earplugs made it waaaay better. To be honest, I don’t even think Bell Centre could have handled that much bass. I feel so bad for everyone that didn’t have ear plugs because I’m sure the hair follicles will need at least a few weeks to recover from the nuclear war that was just ensued on our bodies. This show was amazing. The lighting, the costumes, and the music, the entire package was just incredible, fluid and created a certain ambiance, a certain atmosphere that I don’t think can be reproduced again. I couldn’t help but dance like I was in Zion. I couldn’t help but close my eyes just to absorb more in the dark, because my powers have been heightened here, the dark, the natural habitat of the Fever Ray.

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dsc01039
I don’t remember which show this was…possibly Simian Mobile Disco? Who BTW are working on an album coming out in 2009!!! THIS IS THE BEST YEAR EVER!!!! =)

My favorite tent at Coachella, of the 5, that I can remember, is the Sahara Tent. Appropriately named, this tent is HOOOOOT like the desert sun not only because well, we are under the beating rays of the Coachella Valley sun, but also because this tent is THE party tent. The energy to dance for 12 hours straight is a prerequisite once entering because it goes NON STOP ALL NIGHT BABY. All genres and subgenres of electronic dance IDM 8-bit trance and so on are all performed in this tent. Tons of sweat, glowsticks, sunglasses, and dirty feet. Dancers on a copious amount of drugs, people not on drugs but drunk as hell, sober peeps dancing their life away, and all the in betweens. This tent GUARANTEES you a good time and a sore body, especially after 3 days (ooooh boy I had to rest for a week after coming home…). Plus, I love electronic music and where I’m from, not a lot of good acts come here. At all. So Coachella is a dream for me as I get to check off my list of artists/DJs to see.

So, continuing the momentum of my last post, the next artist goes by the name of…

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