OOOOK! It’s been a wild ride since my last post for y’all. Since then I’ve trekked through the jungle in the Osa Peninsula of Costa Rica. I saw a puma! Amongst many other creatures as this area of Central America holds 2.5% of the WORLDS biodiversity. How cool.
Went to the incredible Lucidity Festival (one of my faves this year so far!). Hung out in Los Angeles. My 4th time there in the last seven years. I have a new found love for Los Angeles that I’ve never had before. It’s so much better with friends! Checked out Bruno Pronsato at the Monarch in San Francisco. Easily the best soundsystem in the city! Went to my favorite festival (all free!) called How Weird Festival in San Fran. Six blocks in the financial district closed off, tons of soundcamps (many from burning man!)…all the weirdos and crazies havin’ a good time.
So here I finally am, about to embark on another adventure towards Minnesota, then Chicago, then to DC for my homies festival FORWARD FESTIVAL (ALL ELECTRONIC HEADS LOOK INTO THIS FESTIVAL!), back to NYC, and finally back to Montreal just in time to cover this year’s grand MUTEK (electronic music and digital arts) event!
I’mma share a few tracks that I’ve been vibin’ hard on for the last few months. Blessings for this abundance! Sending out my luv and vibrations to y’all. Enjoy and stay tuned for more dope beats!
I have been obsessed with Bondax and this track since it came out a bit over a year ago. Every time I play it for my musically versed friends they’re like, “who is this?!”. Even after a couple of years of a few other singles releasing, they’re still on the downlo. These two youngin’ DJs from the UK know what’s up! The bass drop in this track is soooo sexy and rattles the deepest parts of you. I wish this track was longer. They just did a podcast with XLR8R which will give you a better idea of what they’re all about. Turn this bitch up!
I love this LA-ite hip-hop infusing sexy r’n'b driven shhloooowed down house beat makin’ brother! Shlohmo is the shit and I got the chance to see him at Mutek last year! Check out my other Shlo-posts This track is with Jeremih, another rising r’n'b hip-hop star that released the sexy “Fuck U All the Time” last year. These two together are DOOOPE! Turn this up.
Disclosure is my new favorite discovery. Another young duo from the UK reppin’ the scene! Catchy and sexy vocalists highlight the already poppin’ bass lines, garage styled post dubstep beats. A tidbit from an incredible article below. Full read recommended:
“The rise of London duo Disclosure is the kind of story that makes music journalists salivate. First off, its two producers are brothers—a relationship which has become increasingly uncommon in the current musical landscape—and, to sweeten the deal, the siblings dropped their first single at the astounding ages of 16 and 18. That was a little less than two years ago, and, since then, Disclosure’s productions, which began as deft pieces of post-dubstep admiration, have blossomed into increasingly robust slices of soul-laden bass music, proving that the artists’ relatively young age is merely a footnote in an impressive trajectory that has ushered in a string of singles, a free EP, and a consistent run of quality remixes.
“We mixed our first single in the car,” says Guy Lawrence (the oldest of the brothers, now 20) in reference to Disclosure’s first official release, “Offline Dexterity” b/w “Streetlight Chronicle,” which came out via !K7′s Moshi Moshi sublabel in the fall of 2010. The songs featured on the single were in fact the first tunes the brothers had crafted together, finding a shared inspiration from the wave of post-dubstep sounds that were defining the London scene at the time. Unsurprisingly, they found particularly potent common ground—as most producers do—in their mutual admiration for Burial’s seminal LPs, which had been released a few years earlier. “We just made that first single for a laugh and put it on MySpace,” explains younger brother Howard, now 17. “It got loads of attention and we just realized we should make some more music together.”
Turns out they’re releasing an album called Settle in the beginning of June! STOKED! Turn this waaaaaaaaaay up! Check out their other tracks on soundcloud as well!
It’s been a long time since my last post. My journey has been incredible thus far. Constant learning, traveling with the Tribe. I’ve grown a lot since then and so has my music collection. I have decent enough internet here currently in Puerto Viejo to make some posts. I’m gonnu try to post songs every day ’cause there’s soooo much to share.
The Human Experience is this incredible man named David Block, who also has a sick house side project named The Cats Pyjamas. He’s one of the artists alongside Desert Dwellers, Emancipator, etc etc that is getting good reppin’ at transformational festivals. His music is a journey in itself! You can get most of his music for free!
Andy Stott‘s new LP Luxury Problems blew my mind. Incredible deep sexy bassy tech. I was doing yoga to the whole album the other day and it definitely brings you to another level.
James Blake, do I really need to introduce the guy? He recently put out a track called “Digital Lion” with Brian Eno in anticipation of his new album Overgrown set to be released in a month’s time!
Hey y’all. I know I have been pretty absent lately and it’s only going to get worse as I am off to Burning Man again and then some more travels! Wahoo. I’mma try to get a mixtape out before I do ’cause the music I have been listening to of late is just ridiculous. So good. Speakin’ of soooogooodmusic! House music. Yo. I’ve always said it’s like the soul r’n'b of electronic music as it is to hip-hop. I grew up on house and the house crowd is just the loveliest crowd around. No other shows do I see that many people blissed out and so filled with love. Drugs or no drugs jeje.
Last night I went out to Piano Rouge and saw the baddest cat play, Slim Williams. His show was called Sophistifunk. SO YOU KNOW IT’S GOOD. For real. And for the first time he played a classic house show instead of his usual r’n'b soul nufunk style and it was INCREDIBLE. I have never seen house music being performed like that with live instruments. Piano, keyboards, and a sax. My mind was blown and I was almost in tears just how incredible this man and his team was and my love for house grew and I think it did for all the people in the room that night too.
Unfortunately I don’t have any of Slim William’s material. But I’mma share some of my favorite house music of late. One I’m listening to right now fits that soulful house that just makes my heart open so muuuuch! Enjoy and watch out for the mixtape!
1. Dimitri Max, Hawt Music Podcast Week 176. DC Reppin’!
I can’t embed this podcast so here is the link to it! Turn it up!
Last night instead of going to Mutek, I made my way to an equally important art scene in Montréal, the beat makin’ scene that ARTBEAT does so well to represent. This was the first official Artbeat show I was able to make (hosted by SevDee & Mark The Magnanimous). My mind was blown by the creativity and mad love shown by the beat builders up on stage…each sharing five minutes of their hard work in rotation. Crossing genre boundaries with no hesitation, the artists reminded me of tunes you’d hear from Shlohmo, Salva, B. Bravo, Flying Lotus, J Dilla…8-Bit, grimey bass lines, awesomely bizarre transitions and a mad infusion of hip-hop…oh! Don’t forget the FUNK! Oh yeah Artbeat you have my heart and I’m going to do my best to spread the word. What I love about hip-hop events like these is the international crowd and the mad love everyone has for hip-hop, beats, and mixin’ up the genres! Truly good music. Love. Check out their website! Check out the artists and their soundclouds posted below! ALSO! Artbeat has a radio show EVERY Saturday at 17h on 89.3FM or go online to listen or download their podcasts! Like them on Facebook!
Artbeat Montréal builds strategies geared towards the promulgation of Art within the provincial territory of Quebec and abroad. It’s Mission is to offer a platform for the Beat Builder to expand his or her knowledge of Sound, Music and Culture along with the production of distinct, refined and preeminent events dedicated to professionals, as well as enthusiasts.
ARTBEAT will set itself as the cornerstone in the establishment of a superior quality and new variety of Artistic Works, principally by Beat Builders from all genres and styles of music, which in turn, will promote cultural enrichment, as well as political, educational, economic, social and spiritual advancement.
ARTBEAT MONTREAL events unite the finest and most innovative Beat Builders, DJs, Singers and Emcees, as well as movers and shakers of the entertainment industry under one roof for a unique and uplifting experience of Sound and Light.
The BEAT BUILDER is the “Human Being possessing the ability of producing a rhythmic or harmonic arrangement or sequence with the use of new devices, beyond the limits or confines of technology, with the purpose of transmitting a specific message”
We understand that we are all related to Harmony by Blood and that we know Rhythm by heart.
Oweeeeeeeeee! I’ve missed the past two springs & summers here in Montréal and I truly am so grateful to be back for such a special time of year! I am SO excited for this years MUTEK to begin officially begin! MUTEK is an incredible four day electronic music and digital art festival that showcases some of the most exciting up and coming electronic music producers, underground and local talents, old school pioneers of the game, and outside of the box visual arts designers who will blow your mind! With various showcases designed to open up your mind and ears, you can get a taste of electronic music’s palette ranging from experimental, minimal, ambient to deep/tech/disco house, funky 8bit IDM beats, future bass, and dubstep (REAL dubstep. not the brostep Skrillex shit, y’all).
I’ll try to cover the festival the best I can but for now I will leave you with my most anticipated shows and what you MUST SEE if you don’t have a full festival pass and can’t afford or go to all of the shows. Detailed reviews and more goodies will come soon as the festival progresses!
What I’m super excited for:
1. May 31st – Nocturne 2: Red Bull Music Academy; Shlohmo and Salva!
Any artist coming out of the Red Bull Music Academy roster is going to special. If RBMA stages and sponsorships have not impressed you before at other festivals, be SURE to go to this one. Silkie literally destroyed Forward Festival in DC and my face has never been the same. RBMA gives a chance to rising music producers to unleash their creativity with the best equipment possible. For this Nocturne 2 RBMA showcase, Sibian & Faun ♦ Shlohmo ♦ Salva ♦ Nouveau Palais ♦ Paul White Live are going to grace the stage…but I’mma talk about who I’m most stoked about.
Henry Laufer! Or better known as Shlohmo is an L.A. native rising star off of the Friends of Friends record label which also hosts similar up and coming artists in the L.A. beat scene such Salva and Groundislava. At 14, he started experimenting and making beats but didn’t really start taking it seriously until 17. Now, at 21 years, he has released many LPs, EPs, remixes, and has made many mixes for prominent podcasts such as FACT and XLR8R. His sound is a plethora of hip-hop, trip-hop, dubstep, lo-fi, and ambient. Psychedelic space journey reminiscent of Flying Lotus, Nosaj Thing, and even Balam Acab? Oh, yeah!
Check out his fantastic XLR8R podcast mix to get a taste…and also the Mp3′s below!
Alongside Shlohmo, Salva who is also part of Friends of Friends label and the SF renowned Frite Nite crew will also be rocking out at this Nocturne 2 event. I saw him perform recently at the Foward Festival in DC with his Frite Nite homies, B. Bravo and Teeko and they created the biggest stir on the dance floor in the loft with some of the nastiest beats, gansta remixes, and funk that made my homeboy and I go, “DAAAAYUM THAT IS SOOO FUUNKAAY!”. Real effin’ funk ya dig. But for real, another talented future bass beat music maker, Chicago raised and based in L.A., Salva gets the feet twisters and shoulder poppin’ dancers going with his vintage house Detroit techno bass face funky grooves. Hint of Hip-Hop and climactic instrumentals Dan Deacon styles almost, he’s the epitomy of what beat makers are today and an example of why the beat scene is gaining more and more attention. Pan-genre at it’s finest. Mixing and mashing all styles it has no name it’s just awesome!
2. June 01: Nocturne 3 – Nicolaas Jaar and Deniz Kurtel! Do I really have to introduce this guy? Like the year Maya Jane Coles had last year, Nicolas Jaar has had a whirlwind of a year. Like many electronic music producers, Jaar started young at the age of 14. He was born in NY, relocated to Santiago Chile, then moved back to NY six years later. At 17, he already released a debut EP, The Student on the Wolf and Lamb label (whoa)! At 18, he was already playing in Berlin, Brooklyn and the Mutek in Mexico City. All this while studying at Brown University! Now, at 21, he has successfully launched his own record label with Noah Kraft, Clown and Sunset, which already has released some incredible productions like Prism with much more anticipated records to come.
He loves to sample quotes from speeches, movies, tv shows, samples from other samples, samples from other tunes…his compositions generally stay below 100 BPM which is lower than the house/techno standards of 130 BPM. He says, “I’m going to keep taking the beats even slower,” he says in an interview with Resident Advisor,[1] “More unintentional things happen between the beats.” Super interesting, creative, and almost yogi spiritual like finding the peace between the breath, you find these “unintentional things” exist and are true when you listen to his various EPs and LPs (released off of Circus Company, Wolf and Lamb, and Clown and Sunset). Not all his music makes you dance but it keeps your attention, it’s emotionally intelligent and mindfully aware. It’s music and it’s Art. Hear and see it for yourself! Check out his amazing debut album Space is Only Noise! A show not to be missed…!
He recently did his debut Essential Mix which you can check out here! His XLR8R mix was also awesome which you can check out here.
Deniz Kurtel made her deep/tech house LP debut last year with good reviews. Her single “The L Word” graced many DJ sets and her art work (she uses LED lights, mirrors, and sculptures to create interactive art pieces) continues to be admired at countless Wolf and Lamb parties. Kurtel has a Turkish background, had intensive classical piano training, and was constantly exposed to art by her mother. Her real passion for art especially grew with her studies in USA. Being a part of the electronic scene in NY, she eventually made her way to the famous Morgan and Marcy Hotel parties in Brooklyn where Wolf and Lamb host many parties and met Gadi (one half of Wolf and Lamb)…who eventually helped her DJing and producing skills…clearly evident in her debut album Music Watching Over Me (2011).
3. June 02: Nocturne 4 – A Guy Called Gerald
GANSTA TECH IN THE HOUSE. Check out the amazing mix that A Guy Called Gerald made for Mutek on XLR8R:
This week, the 2012 edition of the annual MUTEK festival will be getting underway in Montreal. Consistently presenting some of the most forward—not to mention best—assortments of electronic and experimental artists, it comes as little surprise that this year’s lineup includes an intriguing array of acts, from up-and-coming locals to widely influential legends. One of those legends happens to be UK producer A Guy Called Gerald (a.k.a. Gerald Simpson), who’s put together an exclusive mix to commemorate the impending kickoff of this year’s MUTEK festivities. Over the past 25 years, Simpson has been at the forefront of numerous electronic movements, from his early acid-house days (which included a stint in pioneering outfit 808 State) to later planting the seeds for what would eventually become jungle and drum & bass. These days, he’s located in Berlin and has musically gravitated back toward techno, most recently turning out a variant of the sound he’s dubbed “gangsta tech.” Here, he’s assembled an hour-long session that’s both tasteful and experimental—two words that are often used to describe MUTEK.
4. June 03: Piknik Elektronik – The Mole, Benoit & Sergio, Wolf + Lamb
WOW. Piknikis one of Montreal’s greatest attributes. Set on an island overlooking the city and gracing the presence of a gorgeous sunset, you can bring your family, and friends with your picnic and enjoy a fabulous day of reconnecting and dancing all afternoon and night. It is one of my favorite events of all time and this lineup (Valentin Stip ♦ Artiste Surprise ♦ Benoit & Sergio ♦ Wolf+Lamb ♦ Mathew Jonson ♦ The Mole) is just to die for! House, funk, techno, and soul all in one place with these incredible artists. See you there
5. ANY of the A/Visions series. Check out my previous coverage of them here to better get a glimpse at just how incredible this series is.
6. Any of the FREE series! Mutek is quite an expensive festival but there are some shows that won’t hurt your wallet and will give you a taste of what the scene is about! Check out Alicia Hush on June 1st!
Those are my recommendations! Come back for reviews later. Stay safe, have fun, and drink plenty of water! See you on the dance floor
To check out all the events, click the link below to get better descriptions courtesy of Mutek or go to the Mutek website.
I had the privilege of seeing DC’s own Oddisee live at DC’s Forward Festival for the closing outside party on Sunday. It was the first time I had ever heard of him but with all the excited rustling of my neighbors I figured this was no joke of MC. He blew everyone’s minds with intelligent and conscious lyrics, unpredictable rhyme schemes, a natural fierceness that exuded through his clear love for what he does and for hip hop, and obviously, dope beats.
This man is mad talented. Please check out his website and buy/share/listen to his music and spread the wuuurd. Also check out his other project, Diamond District. Though he has been making music for a long long time and has many EPs and mixtapes released, his debut album People Hear What They See” will be released June 12, 2012.
I just got back to Montréal just two months ago after having been away for over a year. Travelling. Journey. Discovering. Learning. I realised recently that I’ve been really out of touch with the indie scene while I was away. One of the artists that I still kept in touch with while I was travelling though, was M83. I got their most recent and long awaited two disc release, Hurry Up, We’re Dreaming (Naive Records, Mute Records) in October of this year. With this recent LP, Frenchman Anthony Gonzalez once again shows us that he’s more than capable making music that go beyond just Listening. His talent of painting musical landscapes that we can touch, see, and feel with his sound is something special that has kept me drawn and interested in his music since his first self titled release in 2001—then with Nicolas Fromageau, who is now in Team Ghost. So when I found out that M83—with openers Active Child—was playing a show here for the last day of the festival M pour Montréal, I knew I had to go.
M83 is a group named after the spiral galaxy Messier 83, formed originally in 2001 by two guys from France, Anthony Gonzalez and Nicolas Fromageau. The latter member left shortly after 2005 with releases of M83 (2001) and Dead Cities, Read Seas & Lost Ghosts (2003) together. Since then, Gonzalez has released equally if not more emotionally charged LPs: Before the Dawn Heals Us (2005), Digital Shades Vol. 1 (2007), Saturdays = Youth (2008), and Hurry Up, We’re Dreaming (2011).
All of M83′s albums have been consistent in the artistic language that Gonzalez has done so well in presenting to us. They get compared to a lot to bands that have blown up in the past couple of years like Neon Indian, Washed Out, and Memory Tapes who do have qualities that M83 possesses but the comparison is not so justified in my opinion. M83 goes outside the box of having a particular monolithic sound by encompassing and combining chillwave ambience, psychedelic surf pop, shoegaze, minimal electronic, dreamwave, instrumental rock and experential intention with his sound. This intersectionality varies whether all these elements are in just one song or not. It’s clear when you listen to his music. It’s clear when you listen to an album begining to end. He makes albums that flow well, sound good, and has tracks that make you dance (you know, generally what makes an album good, eh). But, it’s more than that. He’s making you a Soundtrack for Life.
Your first cigarette. Your first lover. Your loneliness. Losing a loved one. Heartache. Breaking the rules. The glare of the sun in your eyes. Getting older. The Kiss that never ended. The sand in between your toes. Letting go. Joy. Lessons learned. Thunderstorms. Being Alive. You find yourself in emotional whirlwinds all of a sudden. You stop everything you do and you listen, smell, see, and touch the music. You come out realising all that you’ve been through ’cause the music has brought you this history. Emotionally charged in the sound, the distant cries of his muffled singing, the Naming of the tracks, and the intention behind the pauses, the music has the power to push you into different realities, bad and good. In the end, there is this clear underlying optimism in his music despite all the sad parts. The Positive in the Negative. Each album contains this inevitable evolution. This varied catharticism is what makes M83 so special.
It will be interesting to see how M83 is live tonight. I no doubt believe that Gonzalez will take us on a journey. For those of you lucky enough to get tickets to the now sold out show, see you there and bon show! Don’t forget to come back for a review of the live show! Thanks to M pour Montréal for having me cover this and especially to Catherine who made this possible.
It was a beautiful night in Montréal last night in the Latin Quarter, barrio host of M for Montréal and the globally recognized and acclaimed Mutek Festival. Le Monument National was lit up wonderful purple hues, Club Soda got blared its’ lightsin preparation for the M83 after party, and as always, le S.A.T.’s sound system was heard going beyond the walls to the dark rimmed glasses, fancy winter boots, thrifty tops and waves of plaid wearing people smoking outside.
Active Child is a project that recently came into fruition by Pat Grossi, native of New Jersey who now lives in Los Angeles. Accompanied by two more band mates that look surprisingly similar to Grossi himself (or maybe it was just the lights, jaja), Active Child busted out music that reminded me of the 80′s electronic pop sound of Depeche Mode & New Order, the soundtrack nature of M83, the ambiance of Ocuban, the new school style of R’n'B now popularized by Drake and The Weeknd, and Grossi’s voice! (So, all good things. Jejeje). Oh! His voice sounded like the Presets lead vocalist, Julian Hamilton. Oddly enough he doesn’t sound like this in his debut studio LP, You Are All I See (Vagrant Records, 2011). Either way, studio or live, his voice is wonderful, unique, interesting, and cosmic (he used to sing in a choir)! Pat Grossi has an incredible voice that has a transformative range of style which, along with the fact that he plays a mean harp and experiments with synthesizers, enables him to paint soundscapes just as M83 does while keepin’ it slightly sensual with some R’n'B flare.
I had no idea who Active Child was, no idea what kind of music but figured it was worth seeing if they were opening for M83. It was definitely a decision I don’t regret. They impressed the hell out of everyone in that crowd and no doubt prepared us for the journey we were about to take with M83 but dosing us with a cheeky adventure of their own. Fantastic performance!
Now onto M83. Hoorah! The long wait was over! The lights dimmed and epic synths started our journey into space. The background was lit with tiny lights reppin’ stars that changed colors throughout the show with six or so brightly lit up columns lining the back. The whole set up reminded me of some space portal platform. Beyond the columns, the stars, space, infinity, and the unknown. Ooooooo. The four stood in between us the galaxy. They were going to take us on a cosmic voyage. They were our passageway and as curious, adoring, fundamentally imaginative creatures, and lovers of the dream state M83 is so good at inducing, we acquiesced.
“Intro”, the first track off of their latest album started slowly through the speakers. The synths were prolonged and etched carefully deeper and deeper as the lights began getting more intense. All of a sudden there was this creature. Looked like a human but had a possum rat head! Possum rat hands and eyes and ears! It was alien to us but that was what we signed up for. The adventure begins.
The band came on with full applause. Founder of the group Anthony Gonzalez (center), and his three touring bandmates, INCREDIBLE vocalist/keyboardist Morgan Kibby—who helped in production of Saturdays = Youth and Hurry Up, We’re Dreaming (right), drummer Loïc Maurin (back), the possibly new bandmate that M83 was searching for a few months back (left), hopped on stage to full and ear deafening applause. You knew with this kind of opening that the rest of the night was going to make history in our memories. What an intro song! What a start! With Gonzalez strutting his dance moves with his back against us arms behind his head, and hoards of people singing along and crying out “Carry on! Carry on!”, it was clear that from the crowd to the band, everyone was In It Together From the Beginning.
M83 never dropped a beat throughout the entire set. The energy was kept high like a good DJ at a club and they were simply unrelenting in their efforts to make us sweat. At one point Gonzalez paused and made a little joke about how was going to err speak English and then laughed and spoke French well ’cause, you know, we all knew he was from France. Jajaja silly man. So, this was the one time that there was a “significant” gap in the tracks. It was a good gap. The crowd loved him more because of his charming humor.
After “Intro”, they went into “Teen Angst” which got the crowd even rowdier with a very nice change up in the climax of the song with some techy beats that reminded me of their musical history in Dead Cities, Red Seas & Lost Ghosts. They didn’t play any songs off of M83 or Dead Cities but they paid tribute to them with these kinds of change ups in their more recent songs that they did perform which I really liked. It kept the momentum of the energy high and kept the integrity of their musical evolution.
They go straight into one of their most popular tracks that put Saturdays = Youth solidly on the map, “Kim and Jessie”. Can I just say, THEY KILLED THIS TRACK. It was ridculous how good it was live. Kibby was rockin’ out hardcore Led Zep styles. I was amused and was pulled in by the new bandmate who reminds me a lot of the bandmate that every band has to have or has had at some stage. Curly hair, surfer cali look, not too much emotion on his face like what he’s doing is super serious and there’s no fun in seriosity. But you know he feels the music and the emotion super intensely and he’s about to explode with it ’cause he gets those wide eyes at climatic moments and his body goes into crazy dance offs and guitar offs. You know what I mean? Meanwhile, Anthony had this epic happiness to him on stage.
They always changed up the build up, build down, and climaxes of songs to include that minimal techy Kraftwerk-y Space-y PEWPEWPEWPEW Space gun Tron-like musicality to remind us that we were on an alien space voyage with them. At some points I literally felt like I was at a Rave in Space. Lasers! Stars! Alients! Epileptic strobe lights everywhere! It was so surreal. It was so amazing.
Everyone on stage was having a blast. Dance offs, guitar offs, tamborine offs. Laughs and petite and brief exchanges were made between the bandmates. There wasn’t much conversation with us verbally, but we were very much connected to them the whole time and the room was palpable to this. Their harmonies on every single track was INCREDIBLE. On point. To a tee. I think that’s why everyone walked out of this show unquestionably happy and impressed. The energy from the crowd, the band, to the music was just so explicitly intense. Smiles were on everyone’s faces.
M83 ended the set with “A Guitar and a Heart”, a song true to the instrumental rock influence within their music. After the whole hearted ovation, the band came on and started with “Skin of the Night”. It was epic. And then, the moment came when they played one of my favorite songs and DESTROYED any and all good encores that we’ve seen in the past on our memory’s map.
“Couleurs” came on with a fierceness. The nine minute build up was tantric. They built and built and built and kept us on the edge for the longest possible moment. Everyone is going nuts on stage. Kibby is wilin’ out on the tamborine. The guitarist abandons his keyboard station goes onto the other side and starts banging on an electronic drum kit. The drummer is KILLING it (he reminds me Phil Selway, the mad talented drummer of Radiohead). Gonzalez is on the floor! He runs around! Then all of a sudden the intensity calms down while we’re on the brink of tipping. Gonzalez screams “MONTRÉAL”! We scream back. He screams again, “MONTRÉAL”! WE SCREAM BACK. “Couleurs” comes back in full force after this pause and puts an end to this aural tantric tease. The pace was ridiculously quick and hardcore in the end and pushed the limits like all good encores do. Head banging. Spaces were getting distorted. People crying. Fist pumping. Jaws open. So much love. I’m sure the humidity in the room went up 20% from all our sweat and tears.
This is one of the best shows I’ve seen in a long long time. Definitely one of the best encores I’ve ever seen as well. It would be so hard to top. Their studio albums don’t even compare with their live show…which is awesome and telling of what a great band they are. The best songs of the night for me were “Kim & Jessie” and obviously, “Couleurs“.
01 Intro*
02 Teen Angst%
03 Kim & Jessie^
04 Reunion*
05 Year One, One UFO*
06 We Own the Sky
07 Steve McQueen*
08 Wait*
09 This Bright Flash*
10 Claudia Lewis*
11 Midnight City*
12 A Guitar and A Heart%
Encore
13 Skin of the Night^
14 Couleurs^
* Hurry Up, We’re Dreaming ^ Saturdays = Youth % Before the Dawn Heals Us
It sucks they didn’t play anything off Digital Shades which is one of my fave M83 LPs but the selection was great regardless. I think they might have played “Gone” off of Dead Seas leading up to “A Guitar and A Heart” as well, but I’m not completely sure.
wow it’s been a long time since my last update. there are so many good tunes i want to share and have been meaning to make a mixtape but for now…some tunes that will definitely keep you warm and lift your soul in the winter. these are tracks that i’ve been repeating NONSTOP for the past little while. some MONTREAL representation too with JACQUES GREENE. watch out for him, he is going to be big. he’s already done remixes of radiohead and the weeknd which are super dope. NEON INDIAN‘s new LP is a fantastic listen, though not as good as their first. APPARAT as always is on point and the track i featured from him is off his new LP Devil’s Walk which is very dark, moody, yet spiritually uplifting despite the depressed tones throughout his production. worth listening to though. NEW LOOK, another up and coming CANADIAN group from Hamilton (who woulda thought?!) are making some great pop tunes. MIGUEL CAMPBELL‘s track “something special” is one of the tracks that DEFINED burning man for me. it was dropped when everyone had not eaten, slept, or stopped dancing in over 36 hours at least. toronto’s ART DEPARTMENT through this track down and it lifted us up high…high high high up. campbell is off the HOT CREATIONS label. he’s gon be massive. truth. lastly, i threw in the most wonderful TENSNAKE remix of little dragon‘s CRUCIAL and probably one of the most remixed tracks of the year, “ritual union”. enjoy.
Countdown is a short movie/music video based on the music of Apparat. Directed, designed, animated and composed by Céline Desrumaux.
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the track that’s featured is “Granular Bastard” off of Apparat’s 2003 release, Duplex. if you like what you hear, the rest of his albums/eps/singles are great. intellectual electronic glitchy kinda dub. gaaah nothing can be defined with one word anymore! how awesome. search for more of Apparat’s tunes on ATM!
just got back from burning man 2011 and it was an effin’ blast. couldn’t have been with and met better people this year. the music was phenomenal this year. i got grimey to some of the best music in the world with artists coming from outcross, hot creations, dirty bird, crosstown rebel and other down ass record labels. unlike last year where i went to a lot more dubstep glitchy bass shows, this year i was mainly holdin’ it down listening to the dirtiest tech house, deep house, and disco house on the playa. i want to share so much with you guys and maybe a mixtape will be on the way but for now, here are some tracks for you to get a taste of the dust. enjoy
I love music and want to share as much of it as I can! My promise with this site is that I will only post things I like. You won't find an MP3 on here that I haven't danced and sung my heart out to or other forms of art that I don't absolutely adore...etc. Hopefully you might grow to feel the same way too!
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This track is with Jeremih, another rising r’n'b hip-hop star that released the sexy “Fuck U All the Time” last year. These two together are DOOOPE! Turn this up.
Do I really have to introduce this guy? Like the year Maya Jane Coles had last year, Nicolas Jaar has had a whirlwind of a year. Like many electronic music producers, Jaar started young at the age of 14. He was born in NY, relocated to Santiago Chile, then moved back to NY six years later. At 17, he already released a debut EP, The Student on the 
